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Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1550520357389-R3FYOT0JA5FZD4EXTU7H/A%2Bcollage%2Bof%2Bthree%2Bphotos_%2BZulfi%2Bin%2Bdrag%2Bmake%2Bup%2Bwith%2Bfake%2Bblood%2Bon%2Bher%2Bface%2Band%2Bhands%2C%2Bwiping%2Bher%2Bmouth%2Bwith%2Ba%2Bbloody%2Bdollar%2Bbill%3B%2BAbby%2BCrain%2Bdancing%2Bfiercely%2C%2Bshe%2Bis%2Bonly%2Bvisible%2Bfrom%2Bthe%2Bwaist%2Bup%2Band%2Bher%2Bhair%2Bcovers%2Bher%2Bentire%2Bface%2Bas%2Bsh.png Events A collage of three photos: Zulfi in drag makeup with fake blood on her face and hands, wiping her mouth with a bloody dollar bill; Crain dancing fiercely, visible from the waist up and her hair covers her face https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1537296257620-861DD35JXS4K5N0IUHLW/Rectangular+image+with+a+black+background.+It+features+three+triangle+shaped+sections+of+photos+featuring+from+left+to+right%3A+Marc+Brew+dancing+in+his+wheelchair+with+one+leg+perched+on+the+seat+of+the+chair+while+outside+near+a+lake%2C+Gabriel+Christian+bent+down+with+their+arms+tightly+flexed+and+their+face+not+visible%2C+and+Monique+Jenkison+sitting+on+a+chair+with+one+leg+pulled+up+and+her+high+heel+pointed+directly+upward.+Text+on+the+image+reads%3A+%22A+Fundraiser+for+Gravity%27s+Artist+Services+Programs+%2F%2F+High+Tea+With+Gravity+%2F%2F+Sun+Sep+16th+2pm-4pm+%40+CounterPulse Events https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1a37fee3-9ed5-41be-814b-78ce30a117ad/1.png Events - 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https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1a37fee3-9ed5-41be-814b-78ce30a117ad/1.png https://www.jesscurtisgravity.org/performances daily 0.75 2024-11-27 https://www.jesscurtisgravity.org/performances/fallen monthly 0.5 2024-11-27 https://www.jesscurtisgravity.org/performances/levels-of-perception monthly 0.5 2024-11-27 https://www.jesscurtisgravity.org/performances/touched monthly 0.5 2024-11-27 https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1497151756576-Z8R1GAXDUILB5J6YB6NU/Curtis_0445.jpg Performances - Touched: Symptoms of Being Human (2005) - Leah Martini dances on wooden floor in bikini: back leg outstretched, hair flying, arms stretched behind her. (photo: Andy Mogg) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1497151818529-OTFG4UZFDIIRZ01Q4ZDO/Curtis_0711.jpg Performances - Touched: Symptoms of Being Human (2005) - Cutis, bent with flat back that supports Martini, bent with butt in the air, flexed feet at Curtis' shoulders, chin between his butt cheeks. (photo: Andy Mogg) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1497151800261-VH87WZ9MWMJ2WJWLGF7R/pleasure2.jpg Performances - Touched: Symptoms of Being Human (2005) - Closeup of nude back with hands at waist and upper back, against black background. (photo: Andy Mogg) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1497151799347-R3ARSWBFYV81K6ZUFQXK/Curtis_0608.jpg Performances - Touched: Symptoms of Being Human (2005) - Stuver, Curtis, Scaroni, & Martini stand pressed together, not smiling, against dark background. Curtis in dark glasses. (photo: Andy Mogg) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1497151799642-BU0WB7SBCEBI3BWZZALW/Curtis_0615.jpg Performances - Touched: Symptoms of Being Human (2005) - Closeup of Curtiz, Stuver, and Martini, pressed together. Stuver’s eyes downcast. Martini’s lipse pursed. (photo: Andy Mogg) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1497151764965-PYKA0A8SJ2JEUPDWMJNE/Curtis_0435.jpg Performances - Touched: Symptoms of Being Human (2005) - Scaroni presses cheek into shiny clear plastic sheet, head bent toward shoulder, dark hair plastered to face. (photo: Andy Mogg) (Copy) (Copy) https://www.jesscurtisgravity.org/performances/pre1 monthly 0.5 2024-11-27 https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1497152747824-W6PN5NM8CR495TRJNH9W/Robbie+Sweeny+20151211-DSC_2241.jpg Performances - Performance Research Experiment #1 (2006) - Curtis (in wild red patterned shirt) balances a broom on his forehead, surrounded by dozens of baseballs littering the black stage floor. (photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1497152747829-EVVYSLDALXDWKCMO1O9O/Robbie+Sweeny+20151211-DSC_2273.jpg Performances - Performance Research Experiment #1 (2006) - Müller and Curtis, barefoot in wildly patterned short sleeve shirts, balance a broom atop Curtis’ head. Audience watches. (photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1497152754314-KEAFXH48OSKPEDBWS0CI/Robbie+Sweeny+20151211-DSC_2300.jpg Performances - Performance Research Experiment #1 (2006) - Müller, shirtless, lies on floor balancing broom vertically from his belly. Beyond, a row of audience sit on the floor, smiling. (photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1497152758455-K34GS96WSKORT0DAN6XQ/Robbie+Sweeny+20151211-DSC_2340.jpg Performances - Performance Research Experiment #1 (2006) - Curtis gestures with flourish toward Müller, who balances a broom from his anus, in plow pose wearing white underwear. (photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1497152761399-P400LCO940JKTTW0QA24/Robbie+Sweeny+20151211-DSC_2346.jpg Performances - Performance Research Experiment #1 (2006) - Contact improv duet: Curtis supports Müller, who is upside down facing outward from Curtis’ torso. (photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1497152763542-3XSNQD88HKUCUD842NAU/Robbie+Sweeny+20151211-DSC_2359.jpg Performances - Performance Research Experiment #1 (2006) - Curtis and Müller, in white underwear, sit facing one another holding a small piece of fabric on which they balance a broom. (photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1497152752998-PSCPZP6DDV0SR8PI1K71/Robbie+Sweeny+20151211-DSC_2320.jpg Performances - Performance Research Experiment #1 (2006) - Curtis dangles a baseball above Müller, who lies on his back balancing broom on his belly. (photo: Robbie Sweeny) (Copy) (Copy) https://www.jesscurtisgravity.org/performances/under-the-radar monthly 0.5 2024-11-27 https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1497151001939-PWOP6WM7PKV9GHUOJ325/utr2-jesscurtis.jpg Performances - Under the Radar (2007-2008) - Closeup of Quarrel, in dress shirt and vest with buzz-cut hair, suspended from ceiling above camera. One arm reaches to camera. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1497151007971-2ICLDYF9V5I6C684PFC1/utr3-jesscurtis.jpg Performances - Under the Radar (2007-2008) - Langley strikes a slightly awkward pose with extreme smile, arms outstretched, on knees before camera. Dancers behind emulate her. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1497151015044-88TRQ9GIXAJXNOI0FOR5/utr4-jesscurtis.jpg Performances - Under the Radar (2007-2008) - Bodammer & Müller, suspended horizontally above floor with ropes at their waists, hold hands and look at one another. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1497151018349-1DWQLWC0MTSATPMHCS2O/utr5-jesscurtis.jpg Performances - Under the Radar (2007-2008) - Closeup of 2 feet in ballet pointe shoes, between the wheels of a wheelchair on black marley floor. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1497151010389-VEMM6Z0UIWICNW5L6NAG/utr1-jesscurtis.jpg Performances - Under the Radar (2007-2008) - Cunningham, on crutches, leans away from, looks back toward Bodammer & Scaroni, taller dancers who stand looking at her. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1497151106298-SBFQ6CHIOELESOZT9WM3/utr6-jesscurtis.jpg Performances - Under the Radar (2007-2008) - Cunningham, blonde in black suit, squats on tiptoes supported at wrists by 2 crutches. Lights above her head spell “stage”. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1497151125739-40NUDNY45MZZTLB5U44G/utr7-jesscurtis.jpg Performances - Under the Radar (2007-2008) - Müller & Bodammer sit looking into camera, suspended just off floor by faint lines connected to their waists. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1497151139270-S71MIE6VIB9JLNVJD5ZQ/utr8-jesscurtis.jpg Performances - Under the Radar (2007-2008) - Cunningham hangs above Quarrel, both on aerial ropes. She holds 2 crutches; he grasps the end of one. (photo: Sven Hagolani) (Copy) (Copy) https://www.jesscurtisgravity.org/performances/symmetry-project monthly 0.5 2024-11-27 https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1505919990697-DB0BODW2LJSTBDVOW7D3/_A2M4018_1m.jpg Performances - The Symmetry Project (2006-2009) - Curtis stands, Scaroni sits on his shoulders, torso curling forward to cover his head. Both nude, face open window in spare white room. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1505919953402-6SCI4MJFV3WYFX6UVRKE/_A2M3890_1+web.jpeg Performances - The Symmetry Project (2006-2009) - Curtis’ arms and head (face hidden) frame Scaroni’s back, as she squats on a short wooden platform in a beige curtained room. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1505919963528-AVEDLVNOC5MZ5O1W0039/_A2M3920_200dpi.jpg Performances - The Symmetry Project (2006-2009) - Curtis sits on a toilet in a closet-sized white room, Scaroni sits on his shoulders. Both heads are hidden.(photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1505919985709-OJ90E3UXXPXWPS7YTSHO/_A2M3937_1m.jpg Performances - The Symmetry Project (2006-2009) - Scaroni and Curtis mirror one another, toe to toe, curled in almost-foetal position, knees to chest, elows on knees, hands on heads. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1505919946608-4OG0MA6EHV83Y1NZE9E0/_A2M2911.jpg Performances - The Symmetry Project (2006-2009) - Nested downward-dogs, Scaroni in front of Curtis, in a golden field dotted with cylindrical hay bales. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1505919949245-NFZCWN09L233GBNQ7RK4/_A2M2944.jpg Performances - The Symmetry Project (2006-2009) - Against a round hay bale, Curtis and Scaroni in adjoining forward folds, her hands on his lower back, head between his thighs. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1505919996408-M2L7BHOPFXZYQ222QOV8/Budapest+Galley+14x11.jpg Performances - The Symmetry Project (2006-2009) - Black-and-white close-up of Curtis and Scaroni from shoulders up, plastered in mud, pressing against the other’s shoulders. (Copy) (Copy) https://www.jesscurtisgravity.org/performances/jess-meets-angus monthly 0.5 2024-11-27 https://www.jesscurtisgravity.org/performances/dances-for-nonfictional-bodies monthly 0.5 2024-11-27 https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1495644191506-W5PQBLCDJCUG2RWCQC7C/18.JPG Performances - Dances for Non/Fictional Bodies (2010) - Maria Scaroni, David Toole, Jörg Müller, Jess Curtis lie on dark floor in dappled lighting; Curtis' head on book stack. (photo: Kristine Slipson) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1495644206688-N7RAIZ2IGLM576JZGDHP/19.JPG Performances - Dances for Non/Fictional Bodies (2010) - On dim stage, Cunningham in oversized silver hazmat suit holds pink bunny slipper over bath tub from which upper torso of vintage mannequin protrudes. (photo: Kristine Slipson) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1495644220970-AD7L0X9F15BTVLQ5WI3W/20.JPG Performances - Dances for Non/Fictional Bodies (2010) - Scaroni, Toole, Müller, Curtis lie on dark floor. Vintage wood school desk in foreground; freestanding chalkboard in background. (photo: Kristine Slipson) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1495644233270-ZC8FX314GIIZPAUYHB6J/21.JPG Performances - Dances for Non/Fictional Bodies (2010) - Müller, with long, silvery hair, wearing only blue shorts, stands facing away from camera with undressed mannequin. (photo: Kristine Slipson) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1495644192008-KZ2HILV83VFVYHHOHU25/22.JPG Performances - Dances for Non/Fictional Bodies (2010) - Scaroni in yellow rain slicker & roller skates, and Markland, in red jacket & glasses; sink and string lights strewn on floor. (photo: Kristine Slipson) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1495644192869-AW4U4U70076W0BIFY646/23.JPG Performances - Dances for Non/Fictional Bodies (2010) - Scaroni, with short brown hair, green sweater, purple pants & roller skates, makes intense speaking face in front of chalkboard. Faint figures in background. (photo: Kristine Slipson) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1495644195073-ECU2E2UDHYUPD7WO3C7V/24.jpg Performances - Dances for Non/Fictional Bodies (2010) - Scaroni & Müller, in surreal costumes, stand on low platforms covered in faux leopard pelts. (photo: Kristine Slipson) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1495644195071-CPJHTYIZWI19H8EZGYJR/25.JPG Performances - Dances for Non/Fictional Bodies (2010) - Curtis in pro bicycle costume pedals a bike in the dark. An open refrigerator glows from within. (photo: Kristine Slipson) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1495644242786-U7VI27VPTU2CQV443SMY/26.JPG Performances - Dances for Non/Fictional Bodies (2010) - Scaroni, in white half-zipped costume, writes “HOW IS THE MOVIE CALLED” on chalkboard. Müller watches. (photo: Kristine Slipson) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1495644255078-SX1OY8WOCNFDWIEOQWY9/27.JPG Performances - Dances for Non/Fictional Bodies (2010) - 2 human torso shadows on stage walls behind a vintage refrigerator in magenta lighting. (photo: Kristine Slipson) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1495643549975-BS1AXR9CYO11T6TH6END/HAGOLANI_gruppe_4255.jpg Performances - Dances for Non/Fictional Bodies (2010) - Performers Herrmann, Cunningham, Markland, Curtis, Scaroni, and Müller line up against white wall in silly costumes. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1496608489829-XZ68WH484B19UVC3H53S/HAGOLANI_Clair_3974.jpg Performances - Dances for Non/Fictional Bodies (2010) - Cunningham, in oversized silver hazmat suit, is dwarfed by a cluttered office and rows of black binders. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1496608515552-877D9FAS7SGOGF4PD0V2/HAGOLANI_Claire_4042.jpg Performances - Dances for Non/Fictional Bodies (2010) - Cunningham, in silver hazmat suit, perches on barstool in dark, moody, old-school Berlin bar. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1496608753117-U2JBDAKRUEYCJ8R8T9NO/HAGOLANI_Jo%CC%88rg_4230.jpg Performances - Dances for Non/Fictional Bodies (2010) - Müller, in Little Red Riding Hood cloak and bare feet, leaps over a grassy park at night. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1496608771519-3RDP8T0ZZ1FDNP17NHWO/HAGOLANI_Maria_4197.jpg Performances - Dances for Non/Fictional Bodies (2010) - Scaroni, in blonde wig, yellow rain slicker, and skates, sits slumped in an empty parking lot at dusk. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1496608557489-41WN22PMZJ60ZKGLTABU/HAGOLANI_Jess_4090.jpg Performances - Dances for Non/Fictional Bodies (2010) - Curtis, in pro cyclist garb and holding a bicycle, stands in a furniture store next to a child's race car bed. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1496608870530-16BNN1M9G231FAWLVS7Z/HAGOLANI_Bridge_4308.jpg Performances - Dances for Non/Fictional Bodies (2010) - Markland (a slight, bald figure with fake moustache and glasses) stands in a room full of ball gowns. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1495643548219-C5S63WCV8KJBOG035CE2/15.jpg Performances - Dances for Non/Fictional Bodies (2010) - Hermann (in blue wig, leopard coat, and no shirt) with arms extended wide on an apartment balcony. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1495643946867-39FL1UW93GIYT585BS7C/Sven+Hagolani+1.jpg Performances - Dances for Non/Fictional Bodies (2010) - Scaroni, with short brown hair & glasses, adjusts her roller skates. Behind her is a black bicycle. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1495643947041-Q9JUWYDBCTX0GXHKA7M3/Sven+Hagolani+2.jpg Performances - Dances for Non/Fictional Bodies (2010) - A stack of glasses frame Markland’s mustachioed face. He walks beside a gold draped gurney. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1495643947170-G1H1392W5DCBMLUTDF5X/Sven+Hagolani+3.jpg Performances - Dances for Non/Fictional Bodies (2010) - Markland, wearing large black rubber gloves, holds a pink bunny slipper as if allowing it to sniff his fingers. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1495643942484-TETZPJSTLV9O2953IRWL/4.jpg Performances - Dances for Non/Fictional Bodies (2010) - Scaroni rocks out on the microphone, in blonde wig and lumpy pink pants, next to a chalkboard. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1495643942578-H5WS62H4KWKX84R2O8M7/5.jpg Performances - Dances for Non/Fictional Bodies (2010) - Müller, in white curly wig, stands atop a box and cart, reaching wide. Curtis’ shadow fills the white wall behind him. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1495643943382-45MMCT910067B9XFYFFE/6.jpg Performances - Dances for Non/Fictional Bodies (2010) - Curtis in cyclist garb pedals a bike. Müller and Markland stand neutral against a white wall. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1495643943390-7EKRCG7R5Y6KSV3EXYX8/7.jpg Performances - Dances for Non/Fictional Bodies (2010) - Torso shot of nude male lit by projections, with Curtis on bike in background. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1495643943772-T70VEGUN0NY9J2JSQA2C/8.jpg Performances - Dances for Non/Fictional Bodies (2010) - Scaroni lies in twist on floor, wearing only white tank top. Dim, textural lighting as from a video projector. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1495643943777-9FK3ZJKUYYLJAITZUZ5Z/9.jpg Performances - Dances for Non/Fictional Bodies (2010) - Cunningham, in silver hazmat suit, suspends string lights in the air using crutches. Curtis on bike in background. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1495643944017-GFJJQ6MOTOY8I9JR8PKM/10.jpg Performances - Dances for Non/Fictional Bodies (2010) - Müller, in curly white wig, spreads arms toward Scaroni, in padded body suit and blonde wig. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1495643946872-FXVZ5DAUDEG8LR3S3UZD/bg-question.jpg Performances - Dances for Non/Fictional Bodies (2010) - Vintage mannequin leans jauntily against chalkboard on which is written: “What is your Question?” (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1495643944089-SPTPJ6ASEF787XQOE9IG/28.JPG Performances - Dances for Non/Fictional Bodies (2010) - Cunningham, with silver hair and coat, balances a deer skull and antlers between her head and shoulder. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1495643944617-7AJKN3LPHPPIZ39LNLZS/29.JPG Performances - Dances for Non/Fictional Bodies (2010) - Markland straddles a porcelain sink that lies on the floor. A red cartoon necktie dangles as he looks into the camera. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1495643944506-U7IJSG0M4VJACLGQV3X6/30.JPG Performances - Dances for Non/Fictional Bodies (2010) - Scaroni, in slicker and skates, hunches over school desk. Markland presses up behind her. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1495643944776-J5MN7FFFZXXW3FHI0QSR/31.JPG Performances - Dances for Non/Fictional Bodies (2010) - Müller suspends a mannequin arm on Curtis’ shoulder. Markland poses on a white clube. Hermann plays cello. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1495643945183-UT73UN3RQPUGUBE3K9XV/32.JPG Performances - Dances for Non/Fictional Bodies (2010) - Mostly nude Müller cradles a pink bunny slipper in his arms. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1495643945182-NSYVLKDY87CFYQO8Z0U7/33.JPG Performances - Dances for Non/Fictional Bodies (2010) - A contact improv moment in white wigs: Müller suspends Scaroni on his thighs; Scaroni closes eyes. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1495643945429-O2ZKETKPYFSBEHZZSVRS/34.JPG Performances - Dances for Non/Fictional Bodies (2010) - Close-up of Müller in bath tub, under dim projected light, with roller skates in the background. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1495643945649-3YMEFDJ19TS59CDAQEPY/35.JPG Performances - Dances for Non/Fictional Bodies (2010) - Curtis, in pajamas, stands on his head inside a toilet bowl using a walker to balance. Müller & Scaroni look on. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1495643945723-MIS4V0LKCPDE01C4YDYU/36.JPG Performances - Dances for Non/Fictional Bodies (2010) - Müller plays the trumpet. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1495643946023-YF0PROEDYNT13XLIIQ47/37.JPG Performances - Dances for Non/Fictional Bodies (2010) - Back shot of bald male in unzipped puffed-sleeve dress and elk skull balanced on shoulder. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1495643946146-04VW3MRRHXD2VLYBSJ2X/38.JPG Performances - Dances for Non/Fictional Bodies (2010) - Cunningham, eyes closed, sits in bath tub with red wrestling helmet and gloves. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1509145976282-2CL6UDEGDN7MNQH6OI51/DFNFB_HAGOLANI_MG_6140.JPG Performances - Dances for Non/Fictional Bodies (2010) - Helmeted Cunningham stands amid a square of crutches laid on the floor, holding crutches with boxing gloves on the ends. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1496610044992-B3JW34HS5IO9C705CGNG/HAGOLANI_MG_5597.JPG Performances - Dances for Non/Fictional Bodies (2010) - Scaroni, in wig, slicker, and skates, sits slumped, mouth agape. In background, Markland adjusts glasses in mirror. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1496610051664-UGM3TX3F0BKUJOA4P9SS/HAGOLANI_MG_5603.JPG Performances - Dances for Non/Fictional Bodies (2010) - Curtis, in pajama pants with silver hair and glasses, writes at a wooden desk, with a globe, trophy, and open book. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1496610061379-6BNJCIHS9WFRMO1UWCRC/HAGOLANI_MG_5613.JPG Performances - Dances for Non/Fictional Bodies (2010) - Markland, in 4 stacked eyeglasses and black rubber gloves, gestures before the gold-draped gurney. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1496610072804-8KXG2KE7ZTBIHX6SH910/HAGOLANI_MG_5616.JPG Performances - Dances for Non/Fictional Bodies (2010) - Müller, in blue shorts, stands facing a tall mannequin. It is old, worn, and has a painted-on 1920s hairstyle. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1496610078789-LWKEEG94AFVWDW5W76JF/HAGOLANI_MG_5620.JPG Performances - Dances for Non/Fictional Bodies (2010) - Müller, torso bare and mustachioed, holds a mannequin arm aloft. Behind him, the mannequin with arm missing. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1496610087643-6Q7DO44ZJN5UCYA7GCX9/HAGOLANI_MG_5644.JPG Performances - Dances for Non/Fictional Bodies (2010) - Markland reaches into a toilet bowl. A porcelain sink filled with shiny black material sits in the background. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1496610093573-DI38JKLDZ6AQ1OBB5KHE/HAGOLANI_MG_5659.JPG Performances - Dances for Non/Fictional Bodies (2010) - Curtis sits at desk with back to camera, facing mannequin. Markland pulls a squatting Scaroni, in skates, by the arm. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1496610103079-SONA8FE8R4BEEU1T4TV1/HAGOLANI_MG_5775.JPG Performances - Dances for Non/Fictional Bodies (2010) - Müller, pants unzipped and arms akimbo, high above the stage on a block and cart, casting a shadow below. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1496610107690-RRL142YVOS4JBQ0O2DMQ/HAGOLANI_MG_5781.JPG Performances - Dances for Non/Fictional Bodies (2010) - Scaroni on mic. Chalkboard reads “HE HIDES IN EXPOSURE / SHE STROKES LONELINESS / STRUCTURE OF IMBALANCE / LOVE CHAOS VOID / SALIVA” (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1495643946348-UZRLRAOP9PR5PBDIYAAG/39.JPG Performances - Dances for Non/Fictional Bodies (2010) - Cast and crew take a bow on cluttered stage. Some hold red flowers. (photo: Sven Hagolani) (Copy) (Copy) https://www.jesscurtisgravity.org/performances/pre22 monthly 0.5 2024-11-27 https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1496613451322-30ULZGSJ1X9J18ZUN58C/robbie+sweeny1-5928.jpg Performances - Performance Research Experiment #2.2 (2014) - Müller and Curtis, in glasses and lab coats, address an informal audience that is seated in chairs and on the performance space floor. (photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1496613454338-WHTRVME8JDH6UY9P9KTU/robbie+sweeny1-5941.jpg Performances - Performance Research Experiment #2.2 (2014) - Closeup of gray-haired female audience member in headset with green light clamped to her earlobe. Another woman in foreground. (photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1496613477931-W34BFZ3EQ4TKQFGZD7MY/robbie+sweeny1-5967.jpg Performances - Performance Research Experiment #2.2 (2014) - Müller and Curtis sit on opposite sides of a large white-walled room. Projection on back wall of 2 wavy lines reads “3 Visual Tracking 00:13.” (photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1496613465513-W55OB9AA9J6UYFNKZVQ3/robbie+sweeny1-6030.jpg Performances - Performance Research Experiment #2.2 (2014) - Curtis, in jeans and t-shirt, sits holding mallet over splayed left hand. Müller, standing in lab coat, holds microphone to Curtis’ mouth. (photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1496613478730-0P14Q2BFKORBQ8OSPGSP/robbie+sweeny1-6062.jpg Performances - Performance Research Experiment #2.2 (2014) - B/W image from audience POV. Curtis at mic. Müller holds rope controlling a large round circular object that swings above the stage. (photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1496613492762-AYKT18AZIL23WFQ5X859/robbie+sweeny1-6098.jpg Performances - Performance Research Experiment #2.2 (2014) - Müller on mic, Curtis on guitar and mic, in tees and jeans, surrounded by large projected graphs reading “9 Vibration Transmission 01:16.” (photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1496613487998-JNCJ1WXROX8PIL369R5D/robbie+sweeny1-6198.jpg Performances - Performance Research Experiment #2.2 (2014) - Müller, shirtless, arches upper back, while Curtis, upper back arched to side, is lit by a strip of blue light in darkened stage space. (photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1496613500008-G75UR454D5G6EM9O7R8D/robbie+sweeny1-6265.jpg Performances - Performance Research Experiment #2.2 (2014) - Curtis in foreground, smudge of red over his heart. Müller, behind, holds flogger and looks at Curtis. Both are shirtless. (photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1496613514231-9VOWCNSVIC982U2YJZJC/robbie+sweeny1-6271.jpg Performances - Performance Research Experiment #2.2 (2014) - Curtis speaks, hands gesturing at his side, as Müller flogs him from behind. High contrast black and white image. (photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1496613519626-84OMGML4NJVDGN9O8765/robbie+sweeny1-6312.jpg Performances - Performance Research Experiment #2.2 (2014) - Curtis leans backward into Müller, who stands behind him holding Curtis’ left hand over his head. Black/white against shadowy background. (photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1496613528333-KORIJRV0H4JHU74CA1M5/robbie+sweeny1-6363.jpg Performances - Performance Research Experiment #2.2 (2014) - Wild scribbles of brightly colored projections fill the back wall. Curtis and Müller, both nude, bathed in graphic light pattern. (photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1496613920119-XKY1BRS8RAMT3Z6Y032L/robbie-sweeny1-6391.jpg Performances - Performance Research Experiment #2.2 (2014) - Curtis and Müller, wearing only white lab coats, stand before the audience. Müller extends arms toward audience. (photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1501269796805-L6H359RAWUEHUI5L8OUM/IMG_2093.jpg Performances - Performance Research Experiment #2.2 (2014) - Swirls off green behind shadowy Müller, crouched out of focus in foreground with white lines projected onto his back. (photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1501269796927-0HM8FT8TOAQID0MPM74M/IMG_2174.jpg Performances - Performance Research Experiment #2.2 (2014) - Müller, seated slumping toward camera, bathed in white grid and red squiggle projections. Abstract projections on wall behind. (photo: Robbie Sweeny) (Copy) (Copy) https://www.jesscurtisgravity.org/performances/the-dance-that-documents-itself monthly 0.5 2024-11-27 https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1497153149034-TB96QJ0YWLX1D1XYXQE9/robbie+sweeny1-1822.jpg Performances - The Dance That Documents Itself (2015) - A hand holds a smartphone in foreground: Crain, visible through phone’s camera, sits with back to camera, blonde curls covering face. (photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1497153178111-4GIAV61ORL5XUI9VJVNI/robbie+sweeny1-7217.jpg Performances - The Dance That Documents Itself (2015) - Anderson and Crain mid-air, mirroring one another in sideways leaps. Image of Curtis projected on wall behind (as from Skype). (photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1497153147652-W0K01U9F4OIJPM34D7KJ/robbie+sweeny1-1836.jpg Performances - The Dance That Documents Itself (2015) - Foreground hand holding smart phone; 2nd phone visible in camera’s screen; Crain seated slumped beyond, with back to cameras. (photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1497153175990-ZNC6AQSJZ21YOU1052YF/robbie+sweeny1-7325.jpg Performances - The Dance That Documents Itself (2015) - Black-white image of Curtis (nude) and Dichter (in black bra and fur coat) against black background, image cropped at the hip. (photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1497153151348-1V9N9O8C5T9CV6LA2U32/robbie+sweeny1-1957.jpg Performances - The Dance That Documents Itself (2015) - Curtis with phones covering his eyes and mouth. Phone cameras substitute pics of eyes and mouth over his own. (photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1497153180315-SPM70MPYZA0E45840KWE/robbie+sweeny1-7382.jpg Performances - The Dance That Documents Itself (2015) - The cast is surrounded by projections of themselves on 2 walls of performance space. Crain lies in the foreground. (photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1497153159131-VLK9BS53XZGU3M16Q7AO/robbie+sweeny1-6790.jpg Performances - The Dance That Documents Itself (2015) - Foreground: Curtis stands holding microphone for Anderson, on hands and knees in baseball cap. Background: Crain & Dichter. (photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1497153181929-5EMTB6G5GKVKRMGTX5A2/robbie+sweeny1-7480.jpg Performances - The Dance That Documents Itself (2015) - Foreground: Crain arches back away from camera, head tilted back. Background: projection of performers on stage wall. (photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1497153159409-I4KNPFB9JIV1MBRGMS5R/robbie+sweeny1-6946.jpg Performances - The Dance That Documents Itself (2015) - Crain, in t-shirt with chihuaua image, leans toward camera, hands behind her back, suspended by Curtis (obscured). (photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1497153161766-FARSZML83A4EI6OA9LSO/robbie+sweeny1-6983.jpg Performances - The Dance That Documents Itself (2015) - Anderson (in gray sweatshirt, jeans) navigates around Curtis (white hair & t-shirt), as woman in background snaps pic on phone. (photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1497153162290-SFVQYHNV6DEBID63OAXZ/robbie+sweeny1-6990.jpg Performances - The Dance That Documents Itself (2015) - Shadows of Anderson and Curtis, heads together, and someone snapping photo, against white wall with colorful light pattern. (photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1497153163990-RNB2AQ6C6QYX3J56N6Y2/robbie+sweeny1-7089.jpg Performances - The Dance That Documents Itself (2015) - Dichter, wet and covered in bubbles, in a bath tub, gazes into a smartphone on a stool, recording herself. (photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1497153168028-4LP9YTECSNPTLIZYABWS/robbie+sweeny1-7142.jpg Performances - The Dance That Documents Itself (2015) - Action shot of curly-headed Crain (in chihuahua tee) & Anderson (in worn jeans and knee pads) swaying with streaks of light. (photo: Robbie Sweeny) (Copy) (Copy) https://www.jesscurtisgravity.org/performances/icc7 monthly 0.5 2024-11-27 https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1505402765369-IADDN4C6FPPH0EG9R2XM/APOMAY+6F02E3D1-650E-4D53-B6DA-51164CE47A4A.JPG Performances - Intercontinental Collaborations #7 - Rachael Dichter sitting topless in baseball cap (photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1505402758320-KCA8LPD3WQ87NEZLR5TX/APOMAY+A60FF15E-70EB-41BF-9EA6-A294A54D6007.JPG Performances - Intercontinental Collaborations #7 - Rachael Dichter squats on her knees with tongue out (photo: Hillary Goidell) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1505402761627-EWNB3QFDOONIWBPHDU6N/APOMAY+ACA7178B-8D40-447E-A4B6-B003ECDB5066.JPG Performances - Intercontinental Collaborations #7 - Wide horizontal image of Rachael Dichter topless in back bend against black background (photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1505402768979-IL65ONBDZE5F3N20FJH1/APOMAY+B4D27665-02BD-4C5F-9B83-4B8D5D70297B.JPG Performances - Intercontinental Collaborations #7 - Rachael Dichter in black tank top arches back against black background (photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1505402769429-TPOGJNY5NOQJ7AERI1NL/APOMAY+B9BC71C1-FE13-4812-AF74-AA2D4E607CA5.JPG Performances - Intercontinental Collaborations #7 - Dichter topless sits with back to the camera against black background (photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1505402773372-UKARYLN8YXY1W43LQOH0/APOMAY+D6939E69-2F43-4C4E-84DB-6DDBD9B02FA9.JPG Performances - Intercontinental Collaborations #7 - Dichter lifts black tank top arches back against black background (photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1505402778719-XBSGUYOQI1F4WBMWHOTF/APOMAY+ECB41761-4C08-445E-952F-3F1737636036.JPG Performances - Intercontinental Collaborations #7 - Dichter eyes closed squats on floor (photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1505402774434-UTTSH10703HNX5DER5TP/APOMAY+FBC3D0C2-D08E-426C-BF34-BD287DE4B779.JPG Performances - Intercontinental Collaborations #7 - Copy of Rachael Dichter back bend facing away from camera in white room with red floor (photo: Hillary Goidell) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1523493773756-IT8JIAN38UY8V7CKJ4DR/Remote.jpg Performances - Intercontinental Collaborations #7 - Tara Brandel lies on ground and Linda Fearon sits, both hold cell phones (photo: Emma Jervis) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1523493773445-4AZB7N9X8699O2CM3ZYC/Remote4.jpg Performances - Intercontinental Collaborations #7 - Linda Fearon leans with her back against Tara Brandel's chest while Brandel looks at her phone (photo: Emma Jervis) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1523493813249-68DRT725Q09MCKPOXUBY/Remote5.jpg Performances - Intercontinental Collaborations #7 - Brandel takes a selfie with Fearon, but both look instead at viewer (photo: Emma Jervis) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1523493803449-XFKDKF46U4GI0NNIVUMF/Remote11.jpg Performances - Intercontinental Collaborations #7 - Tara Brandel lies on ground and Linda Fearon stands leaning against a wall (photo: Emma Jervis) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1523493847131-JAXRJTL6LYYW6TQS0AK6/Remote12.jpg Performances - Intercontinental Collaborations #7 - POV from unseen photographer snapping pic of Brandel and Fearon with a cell phone (photo: Emma Jervis) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1523493867916-YAIM5ZYA7R5O9C64SVTL/Remote13.jpg Performances - Intercontinental Collaborations #7 - cell phone on cement between people's feet displays photo of Brandel and Fearon (photo: Emma Jervis) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1523493885466-1D5AL1V8SRG5QV2NOZN9/Remote14.jpg Performances - Intercontinental Collaborations #7 - Tara Brandel looks to the left as Linda Fearon smiles at camera (photo: Emma Jervis) (Copy) (Copy) https://www.jesscurtisgravity.org/performances/sight-unseen monthly 0.5 2024-11-27 https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1527100509625-5Q9PED9A0I3E4DMU4IX5/Robbie+Sweeny+-+DSC_8971.jpg Performances - Sight Unseen (2017) - (Photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1527100510061-GTKMYMK97ASRZXSW7RL3/Robbie+Sweeny+-+DSC_8975.jpg Performances - Sight Unseen (2017) - (Photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1527100514991-F841EPNJ68RW6ZZPX5E5/Robbie+Sweeny+-+DSC_9029.jpg Performances - Sight Unseen (2017) - (Photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1527100515943-TKB4A4DGHK86NF3X9JU1/Robbie+Sweeny+-+DSC_9043.jpg Performances - Sight Unseen (2017) - (Photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1527100522831-4QTBBW3UOPE3L9B4DBUO/Robbie+Sweeny+-+DSC_9046.jpg Performances - Sight Unseen (2017) - (Photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1527100522293-T2RMAZSC6H1NPBOUA4FM/Robbie+Sweeny+-+DSC_9083.jpg Performances - Sight Unseen (2017) - (Photo: Robbie Sweeny) (Copy) (Copy) https://www.jesscurtisgravity.org/performances/remote monthly 0.5 2024-11-27 https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1505402793403-TC68C8S5CFZYLVL4N8PU/Remote.jpg Performances - Remote (2017) - Tara Brandel lies on ground and Linda Fearon sits, both hold cell phones (photo: Emma Jervis) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1505402797002-KYR7P7FZ8B28U5SRPM2C/Remote4.jpg Performances - Remote (2017) - Linda Fearon leans with her back against Tara Brandel's chest while Brandel looks at her phone (photo: Emma Jervis) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1505402811988-K9NX3VR47LVZL3V9ZW9H/Remote5.jpg Performances - Remote (2017) - Brandel takes a selfie with Fearon, but both look instead at viewer (photo: Emma Jervis) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1505402810502-WB1DDAU90HPZDOA4HRJ4/Remote11.jpg Performances - Remote (2017) - Tara Brandel lies on ground and Linda Fearon stands leaning against a wall (photo: Emma Jervis) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1505402828308-KFXEA7ZTEOAX84GHB2WK/Remote12.jpg Performances - Remote (2017) - POV from unseen photographer snapping pic of Brandel and Fearon with a cell phone (photo: Emma Jervis) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1505402831212-TS2SW68Y3BIXFBUG4N20/Remote13.jpg Performances - Remote (2017) - cell phone on cement between people's feet displays photo of Brandel and Fearon (photo: Emma Jervis) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1505402839528-BN5HOF4KN03WXWP2N0GS/Remote14.jpg Performances - Remote (2017) - Tara Brandel looks to the left as Linda Fearon smiles at camera (photo: Emma Jervis) (Copy) (Copy) https://www.jesscurtisgravity.org/performances/invisible monthly 0.5 2024-11-27 https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1555642346296-VPJWRG8FNK4QHA7PLKR6/Rachael+Dichter+inVisible+closeup+by+Robbie+Sweeny.jpg Performances - (in)Visible (2019) - Rachael Dichter rests head on floor, left arm partially covering face, eyes closed, dark hair partly covers forehead and cheek. People standing and sitting in background. (photo: Robbie Sweeny) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1555643518025-ER08JAS7A8OEK4N11WUA/Jumper+inVisible+photo+by+Robbie+Sweeny.jpg Performances - (in)Visible (2019) - Legs in metallic pink shoes jump out of frame on concrete floor, legs apart. In background Jess Curtis looks at camera through the open legs. Others stand, crawl behind. (photo: Robbie Sweeny) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1555643225547-L4KFDBJZXLFLQCPRFF6Z/Gabriel+Christian+and+Xenia+Taniko+in+inVisible+photo+by+Robbie+Sweeny.jpg Performances - (in)Visible (2019) - Gabriel Christian lies atop Xenia Taniko, who is on her stomach on floor. Gabriel's arms outstretched, chest open. Xenia wears pink metallic shoes, legs open, arm outstretched. (photo: Robbie S (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1555643749434-UG8F1X5JFKXICOWNUSOI/Xenia+Taniko+inVisible+photo+by+Robbie+Sweeny.jpg Performances - (in)Visible (2019) - Xenia Taniko leans on white wall, eyes closed. She has short dark hair, dark clothes, a piercing in left ear. Her right arm is raised and bent with extended fingers curved. (photo: Robbie Sween (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1555643901063-9PK43GQYA6RA1H0EGNV1/Xenia+Taniko+inVisible+closeup+by+Robbie+Sweeny.jpg Performances - (in)Visible (2019) - Close up, blurry shot of Xenia Taniko with dark short hair and a blue shirt.,her hand on a seated person’s knee. Her eyes are closed and her mouth is open. (photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1555644256495-CPLJ5L56M7OQTFBN2Y1N/Sophia+Neises+floor+photo+inVisible+by+Robbie+Sweeny.jpg Performances - (in)Visible (2019) - Sophia Neises, blonde hair, eyes closed, crouches with her temple and knees touching the floor. Her palms touch the concrete floor. There are empty chairs behind her. (photo: Robbie Sweeny) (Co (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1555644390145-JTT0EOOKD6M6TPCB2F9W/Tiffany+Taylor+inVisible+photo+by+Robbie+Sweeny.jpg Performances - (in)Visible (2019) - Tiffany Taylor touches floor with flat palms, facing the viewer. Shoulder-length hair covers her left ear. She has a tattoo on her forearm. Jess Curtis watches in background. (photo: Robbie Swe (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1555644508672-IDCGS53SHIGIPQKD8VYW/Xenia+Taniko+inVisible+shadow+photo+by+Robbie+Sweeny.jpg Performances - (in)Visible (2019) - Xenia Taniko lies on the floor, a thin, rectangular line of shadow falling across the bridge of her nose to her ear. Her mouth is open and palms resting on her chest. (photo: Robbie Sweeny) (Co (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1569886250233-9YM4EX3K5M3W94CAQZO8/Image+Description%3A+Logos+for+local+newspapers+with+text+about+the+show+under+them+including%3A+San+Francisco+Examiner+and+%22Fall+Arts+Pick%21%22+then+KQED+Arts+and+%22Featured+Event%21%22+then+48+Hills+and+%22A+cool+thing+to+do%21%22 Performances - (in)Visible (2019) https://www.jesscurtisgravity.org/performances/twyl monthly 0.5 2025-01-09 https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1496613027577-QFJE1PMZ7WT9QR2KJPG0/1+Photo+by+www.hagolani.com+2016.jpg Performances - The Way You Look (At Me) Tonight (2016-2022) - On a cobblestone street in daylight, Cunningham balances mid-air supported by 2 crutches and Curtis’ forehead. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1496613064709-CM12JKZPMLRWII74YQ1X/4+Photo+by+Robbie+Sweeny+2016.jpg Performances - The Way You Look (At Me) Tonight (2016-2022) - Cunningham sits mid-way up a tall orange ladder. Behind her, projection of a person’s eye fills a dark wall. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1496613018173-W2K0QWEZ9S01S2F3HDOW/2+Photo+by+www.hagolani.com+2016.jpg Performances - The Way You Look (At Me) Tonight (2016-2022) - Cunningham (slight with silver hair and blue tee) balances on crutches with 1 foot on neck of Curtis, who lies on gravel ground against cement walls. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1496613066289-QJ6TM58UH6C8X5PPP51K/5+Photo+by+Robbie+Sweeny+2016.jpg Performances - The Way You Look (At Me) Tonight (2016-2022) - Audience in folding chairs observe Curtis (facedown at their feet) & Cunningham (walking barefoot on his hands toward camera). (photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1496613024212-N7XPVMXSNVPESCFHF3LK/3+Photo+by+www.hagolani.com+2016.jpg Performances - The Way You Look (At Me) Tonight (2016-2022) - Curtis (silver haired, in black tee & jeans) lies twisted on cobblestone street. Cunningham stands on his left leg. A boy watches. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1496613068377-S7N3ESO314Q7NG7TCRVI/6+Photo+by+Robbie+Sweeny+2016.jpg Performances - The Way You Look (At Me) Tonight (2016-2022) - Curtis (out of focus in background) lies facedown on dance floor, looks toward camera. Base of a crutch in foreground. (photo: Robbie Sweeny) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1496613181054-60KXVUJZIZJ4ZZ30BH4R/7+Photo+by+www.hagolani.com+2016.jpg Performances - The Way You Look (At Me) Tonight (2016-2022) - Spare, cement-walled outdoor space under blue sky. Cunningham balances between crutches, presses one foot against Curtis’ hand. Curtis sits. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1496613178690-7CEPTBONU23W0BSWDHTF/8+Photo+by+www.hagolani.com+2016.jpg Performances - The Way You Look (At Me) Tonight (2016-2022) - Curtis and Cunningham sit looking into camera. He sits on gravel, smudged with dirt. She perches with a hip on his shoulder. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1496613183423-LHICMKOUXEWYCCACR3L0/9+Photo+by+www.hagolani.com+2016.jpg Performances - The Way You Look (At Me) Tonight (2016-2022) - Cunningham presses back against a massive brown wall in a spare, urban space, stepping on Curtis’ thigh and shoulder, as he supports her. (photo: Sven Hagolani) (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1496613184792-RUTHNHBJ45F787A493JM/10+Photo+by+www.hagolani.com+2016.jpg Performances - The Way You Look (At Me) Tonight (2016-2022) - Informal performance space. Curtis lies on wood floor amid clusters of audience. Cunningham (above) places foot on his hip. (photo: Sven Hagolani) (Copy) (Copy) https://www.jesscurtisgravity.org/performances/into-the-dark monthly 0.5 2024-11-26 https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1679944030895-3IT6CXGP3Y4NN57CEJCF/%28authorized%29+TiffanyTaylor+arms+on+chest+photo+by+Gerald+Pirner.jpeg Performances - Into the Dark (2023-2024) - Gerald Pirner, Portrait Tiffany Tailor I, 2022 (Copy) (Copy) In a color portrait, Tiffany is photographed in profile up to her waist. She is wearing a dark T-shirt and flowered pants. Her facial profile is brightly lit on her closed eyes. Curling her elbow, she places her fingertips on her shoulder. The back of her hand, forearm and upper arm form a triangle. A smoky cloud of light can be seen behind her upper body. https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1694474494184-67UVI0Z7WW4EAUIN5BR6/authorized+photo+by+Gerald+Pirner.JPG Performances - Into the Dark (2023-2024) - Gerald Pirner, Portrait Sherwood Chen III, 2022 (Copy) (Copy) Sherwood lies propped up on his left forearm in this dark landscape. He is collapsed on himself in the midst of the blackness. His posture looks like a passive stretch. Wearing a light gray jumpsuit, he has his right leg bent and his left leg draped over his right, the sole of his foot facing the viewer as if he is knotted in an extension. His head has sunk to the ground between his shoulder blades. The backs of his hands rest loosely on the ground in front of his face. https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1694474507246-G8AERYC0JDO9MHC3ISLF/authorized+photo+by+Gerald+Pirner_4.jpeg Performances - Into the Dark (2023-2024) - Gerald Pirner, Portrait Gabriele Christian I, 2022 (Copy) (Copy) On the color portrait Gabriele is seen with bent legs in olive undershirt and dark blue denim pants. Light reflections give the impression that Gabriele is underwater in the darkness. On the outer side of the front leg, the folds of the jeans are clearly visible. Feet and lower leg of the back leg are in darkness. Gabriele’s right arm is drawn to the body, the hand in a gesture of pause. The other hand protects the face from the light. https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1694474525070-32X5GGRV5WHWHP559EF3/authorized+photo+by+Gerald+Pirner_3.JPG Performances - Into the Dark (2023-2024) - Gerald Pirner, Vom Dunkeln V (Selbstportrait mit Rachael Dichter und Sherwood Chen), 2022 (Copy) (Copy) In half-profile, illuminated from the waist up, three figures stand facing us. All three seem to expect something. All three hold their right arm outstretched in the our direction. On the left, Rachael holds her left arm bent upwards with her eyes closed. Her facial expression between pain and longing possesses something rapturous. Coming out of the blackness, a hand lies on her bell. In the center, Gerald stands in the white opened shirt frontally to us. While his face is slightly tilted downwards, his gaze looks imploringly upwards. On his shoulder lie the multiple doubled fingers of Sherwood. Ecstatically enraptured, he turns his face to the right with closed eyes and open mouth. https://images.squarespace-cdn.com/content/v1/590513082994ca1b11d4edb4/1696942604520-WIT0L3UKWGPV55441AEQ/Gerald+Pirner_pieta%CC%80.JPG Performances - Into the Dark (2023-2024) - Gerald Pirner, Pieta, 2023 (Copy) (Copy) In a color photograph, five dancers are shown connected by arms and legs. Rachael on the far left is standing with arms reached to her side and the floor, to her right she is connected to Tiffany who is reaching out to her left connected to Ka. Below Ka, Clarissa sits regally, eyes closed, chin over her left shoulder, her right hand is connected to Gabriele is laying with their head towards Clarissa while their feet are connected to Rachael’s right arm, completing the shape.