ABOUT
Jess Curtis/Gravity
Jess Curtis/Gravity creates, produces, and tours original body-based art; educates young professionals, students, and members of the public with physically accessible workshops in cities throughout the US and Europe; nurtures emerging artists through artistic mentorship, professional guidance, and fiscal sponsorship; fosters international exchange through co-productions that mobilize our international network to bring international artists to San Francisco and help San Francisco artists present work abroad; and supports emerging choreographers through our Pop Up Performance Project, which commissions site-specific work for presentation on city streets.
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Gravity was founded by the late choreographer-director Jess Curtis, whose distinctive body of work ranged from the underground extremes of San Francisco warehouse performances with such iconic companies as Contraband and CORE in the 1980s, to the exuberance of French circus tents with Compagnie Cahin-Caha and the formal refinement of European state theaters in Berlin, London, Glasgow, and other major cultural centers.
Curtis’ choreography was widely recognized for its excellence, originality, and inclusiveness. In 2011, he was honored with the Alpert Award for Choreography and the Homer Avila Award for innovation in physically inclusive dance. Additionally, Gravity has been recognized with six Isadora Duncan Dance Awards and a ‘Fringe First’ at the Edinburgh Fringe Festival.
These works consistently engaged with issues of embodied diversity including gender, sexuality and disability, making compelling cases for the value that different bodies contribute to society, and include: Fallen (2001); Under the Radar (2007); The Symmetry Project (2006-2010); The Generation Project: Jess Meets Angus (2010); Dances for Non/Fictional Bodies (2011); The Way You Look (at me) Tonight (2016), a duet created and performed by Curtis and self-identified disabled artist Claire Cunningham in collaboration with philosopher Alva Noë; Sight Unseen (2017); and (in)Visible (2019).
In memory & Gratitude
Jess Curtis founded Jess Curtis/Gravity in 2000 and served as Executive/Artistic Director up until his untimely passing in March of 2024. This loss has sent ripples through the experimental art and dance communities he was part of in the Bay Area, Berlin, and beyond. To learn more about Jess’s life, work, and legacy, please click the button below.
Gravity Team
Rebecca Fitton
Co-Executive Director
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Rebecca Fitton (she/they) is a queer, mixed race asian american, disabled, and immigrant person. Their work as an artist, administrator, and advocate focuses on arts infrastructure, asian american identity, and disability justice. This intentional attention-switching means their research question takes variable forms including community gatherings, dances, essays, and improvisational quilts. She has been an artist-in-residence at the Maggie Allesee National Center for Choreography, the National Center for Choreography – Akron, SPACE 124 @ Project Artaud, Center, LEIMAY/CAVE, EMERGENYC, and The Croft. Their writing has been published by Triskelion Arts, In Dance, The Dancer-Citizen, Etudes, Critical Correspondence, Dance Research Journal, American Journal of Arts Management. As an administrator she has worked with Edisa Weeks, Abigail Levine, zavé martohardjono, J. Bouey, Adrienne Westwood and Will Rawls. She holds a BFA in Dance from Florida State University and an MA in Performance as Public Practice from the University of Texas at Austin. They also serve as a Co-Director at Bridge Live Arts.
Gabriele Christian
Co-Executive
Co-Artistic Director
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Gabriele Christian (b. 1991) is an Oakland-based conceptual artist and descendent of stolen folk experimenting within somatic practices, language, performance composition, video production and community arts facilitation to locate and center BlaQ (Black and Queer) experience, vernaculars and aesthetics as wellsprings for radical futurity. They are a founding member of Bay Area performance collectives and land projects: RUPTURE; OYSTERKNIFE; and BlaQyard. Born in Harlem, after graduating with a BA in Theatre Studies, they have worked for ten years as a professional performance artist and director primarily in the San Francisco Bay Area, New York City, Berlin, Amsterdam, and beyond. They have been an artist in residence at CounterPulse and UC Santa Cruz (with OYSTERKNIFE), Watermill Center (with RUPTURE), This Will Take Time and have directed large scale collaborative works in the Haight-Ashbury neighborhood and most recently Grace Cathedral. They were blissed and blessed to start their work with Jess Curtis/Gravity in 2017 and have been a frequent collaborator, curator, audio describer, and director with the company since then. JCG invested in and pushed their work into a new stratosphere; they owe the shape of their current career to Jess’ early advocacy and support and are ready to reshape for the next generation.
Rachael Dichter
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Rachael Dichter is a San Francisco based dancer, performer, choreographer and curator. She makes work about closeness. About the shortest distance and shortening the distance between things - between people. She grew up on the ocean and in the mountains and forests of Northern California, performing as a ballerina and attending Mills College. She studied performance and classical techniques in New York and Bangalore India and danced with Fougere Dance in Brussels Belgium. She was a Danceweb Scholar, a resident artist at the Marin Headlands, Caldera OR, the Robert Rauschenberg Residency, and her work has shown locally and internationally. She had been lucky to collaborate with a number of fierce and talented folks, and for four years she co-curated the San Francisco based live arts festival THIS IS WHAT I WANT. Since 2014 she has performed and collaborated with Gravity, and worked closely with Jess Curtis in a variety of different roles including consulting, rehearsal directing and audio describing. As Jess Curtis/Gravity has been her artist home for so many years, she is both devastated in this moment and heartened by the outpouring of love and support, and passionate about continuing the beauty and legacy that Jess leaves behind.
Co-Artistic Director
Aiano Nakagawa
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Aiano Nakagawa is a multidisciplinary artist, producer, and educator whose work explores the intersection of art, queer homemaking, and power analysis. Aiano is deeply curious about the role of art-making, curation, and design in the act of new world building. Their practice is rooted in the belief that we must practice liberatory ways of existing on a small scale in order to create radical change on a larger scale. She is a founder member of the Bay Area Queer art collective, Asian Babe Gang and is a facilitator at CompassPoint Non-Profit Services. Aiano joined Gravity in 2022 as a Production Manager and helped produce dark/lessons/rupture in San Francisco in 2022 and the rolling world premiere of “Into the Dark” in Berlin and San Francisco in 2023. Aiano joined Gravity as Director of Operations and Communications in January 2023. Aiano’s work envisions and embodies the possibilities of the new world that is being born through collective imagination, organizing, creative disruption, and a commitment to creating the futures we need to exist.
Director of Communications & Production
Michael Whitson
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Michael Whitson (he/him) is a disabled, mixed-race Native American musician and poet with a long San Francisco history of community arts engagement. He was a co-founder of 848/CounterPulse in 1990 and co-director from 1990-2007. He is a co-founder in 2009 of Yuba Libre, a 30 acre community-based land project integrating ecological stewardship with the generative process of bringing Bay Area artists and teachers to a "wild and scenic" protected section of the Yuba River. Michael has been the Managing Director/Gravity Access Services since October, 2022.
Director of Access Services
AlLison Wyper
Website Consultant
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Performance artist Allison Wyper founded Rhizomatic Arts in 2014 to provide design services, professional coaching, and community to help creative people work independently, not alone. Rhizomatic Studio, the creative wing of Rhizomatic Arts, produces socially-engaged, collaboratively-oriented performances and workshops in public and private spaces.
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As a blind woman with a BA degree in Theatre, Tiffany uses her lived experience of disability and performance to challenge ablest practices in performance spaces. She advocates for increased access to performance events for blind audiences and authentic casting and employment for disabled workers in the performing arts.
As a Visual Access Consultant, Tiffany tests the usability and accessibility of websites for performance venues, ensuring they cater to the needs of blind and low-vision audiences. In her role as an audio description consultant and coauthor, Tiffany facilitates blind and low-vision audiences having access to quality professional audio description.
Tiffany has performed in San Francisco and Berlin with Gravity in In-Visible, and Into the Dark. As well as in Sight Unseen in San Francisco.
Additionally, Tiffany has served as part of the grants review process for the National Endowment for the Arts Musical Theatre Panel, leveraging her expertise to shape funding decisions that support a diverse array of artistic endeavors. She has participated in the flagship training program Access Acting Academy for blind and low-vision actors and the Axis Dance Choreography and Performance Lab. Currently, she sits on Gravity’s board of directors.
Blindness Accessibility & Audio Description Advisor
Tiffany Taylor
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Maia is an interdisciplinary artist and educator teaching accessible arts through City College of San Francisco's DSPS program and working independently as an arts educator and activist advancing accessible arts programming and spaces throughout the Bay Area. Maia holds an MFA in Creative Inquiry, Interdisciplinary Arts from California Institute of Integral Studies in addition to other certifications and degrees in bodywork, sound healing, dance, therapeutic recreation and labyrinth experience facilitation. Maia's recent work focuses on the labyrinth as a tool for creating gentle spaces in arts settings and beyond in which attendees follow the choreography of the winding path and inviting diverse bodies to be celebrated as elements of art.
Blindness Accessibility & Audio Description Advisor
Maia scott
Gravity Board of Directors
dress wedding
Board President
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dress has served on the board for the last eight years and is currently president. dress first met Jess in 1985 when he was teaching and contact improv class with the stellar Sarah Shelton Mann and Keith Hennessy. Their paths have crossed many times over the years in the cross-section of the Radical performing arts and direct action communities.
Simone thelemaque
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Simone Thelemaque (she/her) is a program designer and facilitator who weaves play, somatic embodiment, and co-experimentation into her work. With 10 years of experience facilitating groups, affinity spaces, and leadership cohorts in conversations around power, purpose, and connection, she is dedicated to advancing equity, fostering belonging, and preparing for life’s inevitable plot twists. Her approach is deeply informed by her background in operations, people & culture, program development, and relationship management.
Board Treasurer
Tiffany Taylor
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As a blind woman with a BA degree in Theatre, Tiffany uses her lived experience of disability and performance to challenge ablest practices in performance spaces. She advocates for increased access to performance events for blind audiences and authentic casting and employment for disabled workers in the performing arts.
As a Visual Access Consultant, Tiffany tests the usability and accessibility of websites for performance venues, ensuring they cater to the needs of blind and low-vision audiences. In her role as an audio description consultant and coauthor, Tiffany facilitates blind and low-vision audiences having access to quality professional audio description.
Tiffany has performed in San Francisco and Berlin with Gravity in In-Visible, and Into the Dark. As well as in Sight Unseen in San Francisco.
Additionally, Tiffany has served as part of the grants review process for the National Endowment for the Arts Musical Theatre Panel, leveraging her expertise to shape funding decisions that support a diverse array of artistic endeavors. She has participated in the flagship training program Access Acting Academy for blind and low-vision actors and the Axis Dance Choreography and Performance Lab. Currently, she sits on Gravity’s board of directors.
Board Secretary
JOHN LINK
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Bio coming soon.
Board Member
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Gabriele Christian (b. 1991) is an Oakland-based conceptual artist and descendent of stolen folk experimenting within somatic practices, language, performance composition, video production and community arts facilitation to locate and center BlaQ (Black and Queer) experience, vernaculars and aesthetics as wellsprings for radical futurity. They are a founding member of Bay Area performance collectives and land projects: RUPTURE; OYSTERKNIFE; and BlaQyard. Born in Harlem, after graduating with a BA in Theatre Studies, they have worked for ten years as a professional performance artist and director primarily in the San Francisco Bay Area, New York City, Berlin, Amsterdam, and beyond. They have been an artist in residence at CounterPulse and UC Santa Cruz (with OYSTERKNIFE), Watermill Center (with RUPTURE), This Will Take Time and have directed large scale collaborative works in the Haight-Ashbury neighborhood and most recently Grace Cathedral. They were blissed and blessed to start their work with Jess Curtis/Gravity in 2017 and have been a frequent collaborator, curator, audio describer, and director with the company since then. JCG invested in and pushed their work into a new stratosphere; they owe the shape of their current career to Jess’ early advocacy and support and are ready to reshape for the next generation.
As a Visual Access Consultant, Tiffany tests the usability and accessibility of websites for performance venues, ensuring they cater to the needs of blind and low-vision audiences. In her role as an audio description consultant and coauthor, Tiffany facilitates blind and low-vision audiences having access to quality professional audio description.
Tiffany has performed in San Francisco and Berlin with Gravity in In-Visible, and Into the Dark. As well as in Sight Unseen in San Francisco.
Additionally, Tiffany has served as part of the grants review process for the National Endowment for the Arts Musical Theatre Panel, leveraging her expertise to shape funding decisions that support a diverse array of artistic endeavors. She has participated in the flagship training program Access Acting Academy for blind and low-vision actors and the Axis Dance Choreography and Performance Lab. Currently, she sits on Gravity’s board of directors.
Board Member/Staff Representative
Gabriele Christian
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Maia is an interdisciplinary artist and educator teaching accessible arts through City College of San Francisco's DSPS program and working independently as an arts educator and activist advancing accessible arts programming and spaces throughout the Bay Area. Maia holds an MFA in Creative Inquiry, Interdisciplinary Arts from California Institute of Integral Studies in addition to other certifications and degrees in bodywork, sound healing, dance, therapeutic recreation and labyrinth experience facilitation. Maia's recent work focuses on the labyrinth as a tool for creating gentle spaces in arts settings and beyond in which attendees follow the choreography of the winding path and inviting diverse bodies to be celebrated as elements of art.
Board Member
Maia Scott
b Dean
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B Dean (they/he) is an earthbound and airborne dance artist dedicated to eco-social collaborations that create portals for imagination and becoming. A white boy originally from occupied Cheyenne, Ute and Arapaho lands (Colorado), they have been based in unceded Ohlone territory (the Bay Area) for 13 years. B is an Associate Artistic Director and performer with BANDALOOP, performing across six continents on skyscrapers, cliffs, and cranes, for the last decade. They have ongoing creative collaborations with Sean Dorsey Dance, Flyaway Productions, Joe Goode Performance Group, and Fogbeast. B facilitates improvisational and somatic movement for military veterans and elders with diverse abilities and engages in choreographic residencies with teens across the Bay. Under their dance project, BODYSTORM, B centers queer/trans experiences in site-specific physical thinking experiments highlighting the intelligent technology of nature and body.
Board Member